back up test

A trip to the north of England took in two recent projects, one from each side of the Pennines - each an excellent and widely published building: David Chipperfield's Hepworth gallery at Wakefield, and Adam Khan's Brockholes visitor centre next to junction 31 of the M6. Le Corbusier called architecture the 'masterly, correct and magnificent play of masses brought together in light'.  Many projects don't offer much opportunity for that kind of thing, and nor are most clients necessarily seeking it, but here, in both cases, the opportunity has been taken for 'shapemaking' on an impressive scale. Wakefield and Brockholes both bring together assemblies of variations on a single form - an implied 'house' - to form a powerful and memorable composition. Each has a watery site that is both difficult (gritty regeneration context at Wakefield, reclaimed gravel pits at Brockholes), and also full of promise in the dramatic opportunities offered. It was particula...

From the edge of the recently opened Westfield development at Stratford, there is a good view west over the Olympic Park - this will be the direction from which most visitors to the Games will approach it. As the major structures in the park get close to completion, you'd hope that the visual clutter of the construction site would be starting to resolve itself into a beautiful series of set-piece elements in the landscape. But that's not what is happening in this view (you can click on the image to enlarge): 1. The original clean lines of the stadium roof are lost below the ill-judged visual clutter of the lighting pylons.  You'd think the lights could be in the main part of the roof as has been done elsewhere (e.g. at Arsenal) but apparently this was not possible. If the lights had to stick up above the roof, it would have been better to make them more clearly independent structures, rather than a confusing continuation of the visual logic of the main structure. 2. The ori...