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The Biennale - Venice's international architecture festival, which takes place every two years - ends this weekend after five months in situ. As trips to the Mediterranean coast go, for London architects, MIPIM (where architecture is a sideshow to the world of commercial property) might get you more work - but the Biennale offers a lot more inspiration and food for thought.  Quite apart from the relative merits of Venice and Cannes as places to visit. This year's Biennale - the best I have been to - was directed by Rem Koolhaas under the rubric 'Fundamentals'.  The Central Pavilion in the Giardini was divided up according to the 'Elements of Architecture' - subject headings related to elements or components of which buildings are made - stairs, facades, roofs and so on. Unfairly satirised as 'a bit like being at B&Q', what each of the different sections offered - admittedly in a slightly random way, since each was curated by a different group - was c...

Lutyens’ Memorial to the Missing of the Somme at Thiepval in France is one of the great works of interwar British architecture, and along with other sites such as the Menin Gate at Ypres (by the less highly regarded Blomfield, but here as good as Lutyens) and Herbert Baker’s Tyne Cot cemetery, makes a tour of the Great War battlefields of France and Belgium a worthwhile architectural pilgrimage, whatever other reasons one might have to visit.  The architect Adolf Loos claimed that 'Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.'   Loos was an interesting architect and writer but I suspect Lutyens, a man of fewer public words, was smarter.  At first glance one might think of Thiepval, a sort of fractal version of a triumphal arch, as an example of what Loos meant.  But when one sees the extent of the panels with the names of the 72,000 missing dead reco...

A trip to New York last month to meet fellow professionals was a fascinating chance to find out about attitudes to tall buildings in their spiritual home.  What was surprising, perhaps, was the extent to which most of the questions raised by tall buildings in London are also debated in similar terms over there (as are other questions such as how to provide 'affordable' housing for the less well off; and how to provide affordable housing, not in quotation marks, for middle income groups). NY's Muncipal Arts Society's   Accidental Skyline   report concerns the effects of a wave of very slender, very tall new towers under construction and planned, mostly near Central Park, which will change the views from the park dramatically, and, the report suggests, overshadow it unacceptably.  Generally these new towers are as built 'as of right', the planning parameters - including the transfer of developable area from one site to another to allow ever taller and thinner towe...

Here is a piece that I wrote for last week's AJ .... ..... The promoters of the 2014 Wolfson prize, for new ideas about garden cities – and the winners Urbed – deserve praise.   But it has been criticism of the winning entry from the Government’s housing and planning minister, Brandon Lewis, that has attracted most attention.  The episode is symptomatic of just how hard it is promote large scale development in the UK that is underpinned by anything that looks like an idea or a proposition. At the scale of individual buildings, it can be harder to gain planning approval for something interesting than for something mediocre.  Keep below the radar, don’t frighten the horses and you will stand a chance.  Come up with a bold idea and you are likely to be in trouble.  Sadly, the same applies to solving the country’s housing crisis.  Most of the new housing built by the volume house builders is dire, but as it’s the same all over the country, it’s hard to fin...

Dunkerque - half an hour from Calais, and though a historic port, almost entirely rebuilt after (Allied) bombing in the Second World War - had more going for it than I expected. Just east of the docks (and just west of the sandy beaches from which over 300,000 troops of the British Expeditionary Force were evacuated in 1940) is Lacaton and Vassall's recently completed FRAC gallery.  The south part, a redundant dockyard building on a heroic scale, is a giant shed, made sound but at present left largely empty, enclosing a single interior volume; to the north, its new conjoined twin, to the same profile and dimensions, clad in corrugated polycarbonate, houses a regional contemporary art gallery.  In the foreground in the photo above, under construction, a new pedestrian bridge will connect to the shore on the other side of a canal. Lacaton and Vassall's building is excellent - spatially rich, with great views out to sea and along the coast from the upper levels, and clever in its...

All over inner East London are sites and areas that remain stubbornly resistant to improvement. Several stretches of Hackney Road looks as if they are recovering from some kind of disaster - sites have decayed steadily over the last thirty or forty years, resisting the tide of gentrification (or renewal, take your pick) that has gone on all around. Between the east end of Hackney Road and the Regents Canal is an extraordinary area called The Oval. This is the relic, or rather trace, of a housing development laid out in the nineteenth century as two crescents of terraced houses facing each other across a small oval-shaped green, yards from the Regents Canal which was built in the same period. Today all that remains is the plan form, apparent both in the shape of the central space, occupied by cars tidily parked within the oval kerb in the photo above, and the line of the frontages of the surrounding buildings on either side, now a motley collection of run down, low grade light industria...

London badly needs more housing, but it also needs more parks, particularly where large new areas of high density housing are proposed.  This is one of several pressing practical matters that appear to take second place to consideration of the beauty of the city's skyline - which is important too - when the question of tall buildings is discussed.  Here is a piece I wrote for the Architects' Journal on this subject, published in the 18 July 2014 issue. ...... London’s ‘tall building problem’ is more to do with planning and urban design than architecture; and for residential towers, but also for office towers, the problem is more to do with density, plot ratio and over-congestion of built form than it is to do with height per se.  We want our city to look beautiful, but we also need it to work in a civilised way, and for that we need public space as well as buildings – public space that is not being delivered in most of the tall building projects currently proposed. In Mar...