Dynamic view protection

It's good news that Indian elephants have been given the protection of heritage status. But how do you protect a view of an elephant?

Comments

Post a Comment

Popular posts from this blog

Architects' Bake Off - Biscuit or Blancmange?

Image
The scheme for the 'Olympicopolis' project in the Olympic Park, by Allies and Morrison and others, was - along with the continuing saga of the Garden Bridge - a top architectural story of the summer silly season, when the scheme for a new cultural quarter was publicly criticised by Peter Cook and others, basically on the grounds that it is boring. Rowan Moore's piece in the Observer, well argued as ever, described the spat as 'biscuit vs blancmange' - Cook having characterized the peddlers of the bricky New London Vernacular architecture as the 'biscuit boys'. This was all argued out in similar terms over a decade ago, in the New Labour heyday of the lottery funded wow-factor 'icon' - the apotheosis of the debate in those days being Graham Morrison's memorable  talk  at the Royal Academy in 2004, with icon projects such as Will Alsop's Liverpool 'Fourth Grace' in the firing line. Once upon a time it was obvious which were the importan...
Read more

Undershaft

My commentary on Eric Parry's Undershaft project for a new City of London office tower, from last week's AJ :  Eric Parry’s design is a good and pleasingly modest proposal for the new peak of the City’s ‘Eastern cluster’ of towers.  Recent skyscraper building in central London has seen a rather attention-seeking crowd of starchitect designs accumulating within the jumbled medieval street layout – curvy in the case of Foster and Viñoly, angular for Rogers and Piano.  In its contingent messiness, it is a very London cluster, in spite of this international provenance, which contrasts with the calm, orthogonal approach to tall buildings raised on a north American-style masterplan grid at Canary Wharf.    Parry has matured into an acknowledged master of the high end, contextual city building.   Here, this approach is taken to new heights, but in its response to its surroundings, it exhibits the same thoughtfulness at seventy storeys as seen at a tenth that heigh...
Read more

Quality, 'quality', and fashion - the beauty of black

Image
Usually, you'd think of granite as a high quality material for the outside of a building, and consider paint to be lower down the scale. But in the current makeover of a tired office building next to Farringdon Station, deeply unfashionable 1980s granite cladding is being painted black - what was conceived of then as a wannabe city office (but in slightly less smart Clerkenwell) reimagined now as a wannabe Shoreditch co-working hub (but in slightly less grungy Clerkenwell). Derwent London's  sales website  for the project seems to suggest some different, more complex, and dare I say more po-mo, versions of the elevational makeover; but with the scaffold now down, I'm hoping it will remain in the simpler version seen above. There's nothing inherently cheap looking about paint - context is everything.  Nash and Cubitt put up acres of painted stucco buildings in London where they would have used stone if they could have afforded it, as the architects of Georgian Bath and E...
Read more